


ukus wrote:New host Alan Cummings introduced the Inspector Lewis, shown last Sunday.
ukus wrote:but I have to say Laurence Fox (nephew of well known actor Edward Fox ) absolutely shone as Sgt. James Hathaway
http://www.pbs.org/wgbh/masterpiece/lewis/index.html






SilverMiniCooperS wrote:Are you as pissed as I ws last night Karen. Bloody channel 8 lost the picture for the last half hour of the final episode of Foyle's War. I did get the gist of 'who dunnit", but still....




















ukus wrote:Talking of Masterpieces I see that they are advertising 'Brideshead Revisited at the flicks. I never followed the TV edition with Jeremy Irons (dunno why)..... but I think I'll do a Billy no mates when it shows at the mall.

if there isn't one already !He finds a world that has changed -- biometric ID cards are compulsory, public spaces are monitored 24 hours a day by digital cameras and armed police patrol the streets.
The next morning, Stephen is summoned to a meeting at the Inquirendo company to learn about their new Total Information Awareness (TIA) system. TIA is described as a super database that brings together all records on individuals and allows the government unlimited access to personal data. The company offers to fund Stephen's research in exchange for him becoming the public face of TIA, but Stephen declines.











ukus wrote:Watching David Copperfield last Sunday I thought how funny it was to see very young Daniel Radcliffe teamed up with Maggie Smith playing his aunt. They were to meet again in Hogwarts
http://www.pbs.org/wgbh/masterpiece/
He really was an adorable child.
ukus wrote:Watching David Copperfield last Sunday I thought how funny it was to see very young Daniel Radcliffe teamed up with Maggie Smith playing his aunt. They were to meet again in Hogwarts
http://www.pbs.org/wgbh/masterpiece/



ukus wrote:He was Gandalf in Lord of the rings.. but I'm not sure I have seen him in the Harry Potter series.



SilverMiniCooperS wrote:I'm watching David Copperfield also and am thoroughly enjoying it - much better than Oliver Twist.
I don't think there is anything I've seen Maggie Smith in that I've not enjoyed immensely.

SilverMiniCooperS wrote:I don't think there is anything I've seen Maggie Smith in that I've not enjoyed immensely.
She's one of a kind.


ukus wrote:I agree Sandy she really is a one of a kind lady.

ukus wrote:I agree Sandy she really is a one of a kind lady.
I'm glad to hear I am not the only one who did not like the recent showing of Oliver Twist. Infact it really bugged me cos I remember the old 1948 version and it was a special memory.
I was just a little one when my mum told me I could creep downstairs to watch it when my sister went to sleep. I lay there counting to 100 and crept downstairs to snuggle with my mum and watch a movie which made an impact on me even as a little kid.
I've seen other versions since and enjoyed them but not this latest shown on Masterpiece. Aside from anything else the music they played during this production was absolutely 'not right' at all.

Caer Ibormeith wrote:ukus wrote:I agree Sandy she really is a one of a kind lady.
The first Maggie Smith movie I remember seeing. I saw it when I was a little girl in a real movie house.![]()
The Prime of Miss Jean Brodie:
http://www.youtube.com/watch?v=ksetfly1pZs
I really didn't care for the Masaterpiece version of Oliver Twist either. There was just something really off about it.


JuanaLaLoca wrote:Getting to stay up late makes it so special, doesn't it? I think that one of the reasons that The Wizard of Oz is still my favorite movie is that my parents let me stay up special to see it when I was five. I remember I put on my pajamas, came down, and they tucked me up on the couch with a blanket. I guess in case I fell asleep, but I certainly couldn't fall asleep during that magical movie!
And I agree about the music they used in Oliver Twist. Special mention (i.e. criticism) was made of it in my book club. To me, it was jarring, too modern, and intrusive. In general, we savaged the production. The things that I particularly disliked were making Monks a more prominent character - and especially changing him into Brownlow's grandson who was living in the same household and trying to romance Rose! I was surprised at first to see Rose as Brownlow's ward, but I think I could have accepted that in the interest of their having to cut things out and consolidate things to make the story fit into the time they had. But not Monks! And also the complete change to Sikes' death - hanging himself in solitude in the sewer. Also, I didn't think that Oliver had any personality at all (except that at times he was more disagreeably aggressive than he should have been), and I hardly cared what happened to him.



ukus wrote:I've seen the actor who played Bill Sykes in something else where I really liked the character ... but I can't remember what it was now






http://www.pbs.org/wgbh/masterpiece/vir ... index.html



ukus wrote:Getting ready to watch 'Little Dorrit' tonight. http://www.pbs.org/wgbh/masterpiece/
I'm not sure I have seen it before.






ukus wrote:I don't know why, cos I'm enjoying the scenery etc. but I am finding 'Little Dorrit' to be a little boring.
Has reading the book along with watching, made for a better viewing experience Juana?
I too have noticed they use a lot of the same folks as character's. I am liking Mathew Macfadyen who plays Arthur Clennam. I recently saw him in the role of Mr. Darcy, doing a fine job too considering I always see Colin Firth as a perfect Mr. Darcy.
The cast ......http://www.pbs.org/wgbh/masterpiece/lit ... cters.html



When The Old Curiosity Shop was approaching its emotional climax — the death of Little Nell — Dickens was inundated with letters imploring him to spare her, and felt, as he said, "the anguish unspeakable," but proceeded with the artistically necessary event. Readers were desolated. The famous actor William Macready wrote in his diary that "I have never read printed words that gave me so much pain. . . . I could not weep for some time. Sensations, sufferings have returned to me, that are terrible to awaken." Daniel O'Connell, the great Irish member of Parliament, read the account of Nell's death while he was riding on a train, burst into tears, cried "He should not have killed her," and threw the novel out of the window in despair.
In January 1841, passengers arriving in New York from Europe would be greeted by anxious people on the docks. They all had the same question: "Is Little Nell dead?" Such was the hysteria created by Charles Dickens' novel The Old Curiosity Shop. But why couldn't tortured New Yorkers simply read to the end of the work and relieve their misery? Because Dickens' novel, like so many of the Victorian era, used serialization as its initial mode of publication. Appearing in monthly installments of three to five chapters, serials kept readers hungering for more and waiting up to two years to finally discover the resolution to all the novels' intrigues. Londoners received Dickens' installments before Americans, and those on the docks hoped someone had learned Little Nell's fate. Alas, when the next installment did arrive in New York, people wept in the streets as they learned of her death




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